OCW SUMMER CONFERENCE—2010 WORKSHOPS (as of 4/7/2010)
Following is a list of the incredible workshops being offered at this year's Summer Conference.
Monday, August 2 – 3:30–4:30
Workshop Session A
1. Writing from a Naked Spirit: The Rewards of Intimacy with Jesus—Petey Prater
What qualifies us to write for Christian markets? How can we 'write the vision' (Hab.2:2) if we've never had a vision? As Christian writers, must we be truth - seekers first? What do authentic truth-seekers look like? If all spiritual productivity and fruitfulness flows from union with Jesus, what are the disciplines we need to pursue deep intimacy with Him?
Jesus alone calls and qualifies us for ministry; only time at His feet informs our writing. Join us in an intentional study to pursue Jesus. Come with us as we discover the disciplines needed to get us to the high places with the Lord. Greater intimacy with the Truth Giver will renew and refresh our spirits and release deep insights into our writing. We will go from this class spiritually strengthened and empowered, determined to keep Jesus first at any cost. As we daily lay our lives before Him we'll see miracles produced through our words - captives will be freed, the blind will see, the lame will walk, and He will get glory through us.
2. Writing for the YA Market—Kat O’Shea
In a world filled with video games and other fast-paced entertainment, it takes a special writer to capture a teen’s attention. What can you do to make your manuscript suitable for the YA market?
3. Blogging to Honor God—Suzanne Hadley Gosselin
Several years ago the Blog Herald accounted for more than 70 million blogs worldwide. Christian leaders and laypeople alike are joining the trend at a rapid rate. The popularity and ubiquity of blogs present a new dilemma: How are believers to hold forth biblical truth in a digital age? This class will explore blog trends, using your blog to build a platform, types of blogs and blogging to honor God. Suzanne Hadley Gosselin has been a professional blogger for the Boundless Line (boundlessline.org) since 2006 and recently joined the blog staff of Focus on the Family’s Young Married Life blog.
4. How to Navigate Writers’ Marketing Guides—Sally Stuart
A marketing guide can provide a wealth of information and direction for the freelance writer--but only if you know how to best use it. This workshop will take you through each feature and teach you the benefits it has to offer. Your success as a freelancer is directly related to how efficient you are in accessing these marketing tools.
5. Writing Personal Experience Stories That Sell—Paul Smith
We will examine the elements of true stories that get readers interested and keep their interest through the entire story. Highlights include writing leads that catch the reader’s attention, keeping all elements of the story on track, and knowing how to conclude.
6. Hook Your Readers and Reel Them In (Build Suspense in Every Story)—Christina Berry
For five seconds a randomly perusing, potential buyer scans your book in a store. Did you set the hook hard enough he can’t get away and must purchase your book? Before that, did you grab an editor’s attention to the point where he is willing to risk his reputation by taking your project to editorial? Was the beginning of your book strong enough to carry it through the entire process, even past the tight fists of the financial committee?
Together we’ll explore what works—and what doesn’t—at the start of a story, be it fiction or non. Bring your favorite opening line and be ready to explain what captures your interest. (Don’t be afraid to come if you don’t have this!) You’ll walk away from this workshop with a practical, crossing-all-genres checklist and a tackle box full of ideas for stringing strong hooks onto your plotlines.
7. The Craft of Self-Editing—Ellen Traylor
This class shows you how to give your writing punch with the "less is more" style, before it even gets to the editor: economy of words, simple but strong sentences, descriptive power, and the best word choice. Taught by Ellen Traylor, bestselling novelist and former writing-for-publication instructor at Whitworth College and Eastern Washington University.
8. Book Proposals That Make an Impression: How to Get a Publisher to Take Notice—Bill Jensen
William Jensen has reviewed thousands of book proposals and has participated in publishing committees for 25 years. In the incredibly competitive world of book publishing it takes a great proposal to get noticed. Book proposals should be designed to meet the needs of the publisher and the dynamics of the publishing committee. Often they are not. Bill will bring his knowledge and experience to teach you what it takes to create a professional proposal that will be taken seriously by publishers.
9. How to Conduct a Successful Interview—LouAnn Edwards
Recession-proof your writing career with interviews! If you thought you weren’t the “interviewing type” get ready to change your mind! There’s nothing like the rush of adrenaline when that famous author, singer, or the Olympic pogo stick champion agrees to sit down with YOU for an interview. Celebrity or the guy next door, it’s easier than you think to snag these “one on one’s” if you know a few simple tips. In this class we’ll explore how to:
- Get any author or celebrity to agree to talk to you
- Bring out the “heart” of the subject
- Get the most reluctant interviewee to open up
- Make your interview stand out by doing one simple thing
- Get the one story they’ve never told before, and most importantly,
- Help them bring out the message God wants revealed.
We’ll also talk about how to help you and your subject relax, have fun and keep the doors open to future chats along with how to pitch, publicize, and sell what you get! Whew—grab your notebook and let’s go… the perfect story is waiting!
Tuesday, August 3 – 2:00-3:00
Workshop Session B
10. Writing Biblically for Maximum Life Impact (Part I)—Les Stobbe
A two-part presentation on why the story is Jesus’ preferred method of communication and what that means for the writer. Includes analyzing bestsellers of the past for how they do their Table of Contents, what they put in their first chapter, second chapter, etc. Uses Chuck Swindoll’s Improving Your Serve as the model. Numerous published authors have said or written that this workshop is responsible for their success as published authors.
11. The Do’s and Don’ts of Children’s Writing—Suzanne Hadley Gosselin
These 20 do’s and don’ts will take your children’s writing to the next level and make your articles sparkle. Find out what works and what doesn’t with a young audience. Also, find out what children’s magazine editors, particularly those at Clubhouse and Clubhouse Jr., are looking for.
12. Speak Up! Talk to Groups with Confidence!—Gail Denham
Ever wish that you didn’t hyperventilate each time you’re invited to speak? Does your mind go blank when facing that sea of faces? Do you desire to talk about your book, but only bubbles and squeaks emerge? This class is designed to boost your confidence to speak freely and clearly. A published writer and photographer for over 30 years, Gail Denham has ten years of Toastmaster experience and training. In addition, Denham has led workshops on a wide variety of writing and photography topics. It’s her prayer this class will be fun and relaxed. Sweaty palms must be left at the door.
13. Behind the Stacks: Secrets of Library Marketing Revealed—Judy Gann
Independent bookstores, once the key market for our books, are closing their doors at an alarming rate. Book chains and big box discount stores primarily stock books by bestselling and “name” authors— forcing most of us to seek creative new markets for our books. One of the most overlooked avenues for reaching our readers is public and school libraries. In this workshop we’ll explore ways to connect with libraries—in your neighborhood and throughout the country, how to “Dress for Success”—presenting you and your books in a “library-friendly” manner, and how to partner with libraries for author events and writers’ workshops. Judy will also provide you with a glimpse inside the school and public library’s selection/ordering processes, and discuss some of the trends in library purchasing (Hint: Christian fiction is “hot”).
14. Writing and Researching the Genre Novel—Hillary Manton Lodge
Discuss research methods and plotting techniques to create the genre novel that stands out in a crowded marketplace.
15. The Octopus of Self-Editing—Sue Miholer
Does it feel like you’re wrestling an octopus when it comes to editing your manuscript? You think all the tentacles are neatly under control and then one comes out and smacks you upside the head. To cap or not to cap? A hyphen or a dash? And which kind of dash? You and me or you and I? Further or farther? We’ll sort it out together. There are rules and there are times to break rules.
16. Personal History as Ministry—Julie Zander
Do you enjoy listening to the stories of elderly people? Do you recognize the wisdom they've acquired during their lifetimes? If so, you might consider using your writing skills to help them capture and preserve their stories for family members and friends. Most of these books won't be best sellers, but they will be keepsakes treasured by children, grandchildren, and future generations. Learn how to create a personal history, starting with gathering basic biographical information, conducting oral history interviews, writing, editing, scanning photos, designing pages, and self-publishing nonfiction memoirs and community history projects.
17. “No Fear” Book Publishing Strategies That Work—David Sanford
Would you like to receive expert advice on landing your first (or tenth) book publishing contract? This workshop examines current market realities, reveals the three most important marketability questions (to give you the greatest competitive edge), and shows you today’s best practices for creating new book proposals. Most importantly, you’ll learn “no fear” strategies for pitching your proposals to top prospective publishers (or literary agents).
18. Plot vs. Character: Which is More Important? (A Debate)—James Scott Bell and Nick Harrison
What happens when a top fiction editor who loves character driven novels, and a suspense writer known for his twisting plots, get together for a smack down on plot versus character? An informative, thought provoking and entertaining hour, that's what. Join Nick Harrison of Harvest House Publishers (the character guy) and bestselling author James Scott Bell (the plot guy) for what promises to be a "no holds barred" debate on the fiction craft.
Tuesday, August 3 – 3:30–4:30
Workshop Session C
19. Writing Biblically for Maximum Life Impact (Part II)—Les Stobbe
A two-part presentation on why the story is Jesus’ preferred method of communication and what that means for the writer. Includes analyzing bestsellers of the past for how they do their Table of Contents, what they put in their first chapter, second chapter, etc. Uses Chuck Swindoll’s Improving Your Serve as the model. Numerous published authors have said or written that this workshop is responsible for their success as published authors.
20. Creating Realistic Speculative Fiction, Part I: Story—Jill Williamson
Speculative fiction is so much fun to write. In this class we will create our own spec fiction story from scratch. Using Jill’s formula for brainstorming, we’ll start by coming up with an original premise, add characters, hash out a rough plot, and talk about some things spec fiction writers need to watch for when writing their stories. We will continually check our ideas for conflict, realism, and originality. This will be a fun class where everyone will get to contribute.
21. It’s Time to be Quiet and Let Your Character Sing—Kathleen Kerr
Of all the voices floating around in your head, the loudest one might be your own. Using a variety of writing exercises, this workshop will explore how writers can find an authentic voice for their characters—and how every story starts when the writer falls in love.
22. Marketing Your Fiction—Chip MacGregor
This workshop will offer a quick overview of the ten steps involved in every marketing plan. We'll quickly move from talking about conceptual marketing ideas to exploring what that means to you and how you can begin your own marketing plan for your book. In today's economy, your publisher is going to expect you to help market and sell your book -- come join us and find out how you can begin to do that effectively.
23. The Encouragement Experiment—Trieste Van Wyngarden
Last year, a team at DaySpring decided to completely rethink the Encouragement card line. Through prayer, personal experience, and input from all kinds of shoppers, friends, and research tools, they dug deep into the many heartfelt reasons a woman will walk up to the card rack and search for the words that resonate with her heart’s desire for her loved one. The result was a fresh, relevant, out-of-the-box take on consumer needs. This workshop will challenge writers to tap into the real-life reasons for sending cards, and possibly help DaySpring revamp another card line.
24. How the Essence of God Shapes Christian Inspirational Romance—Jamie West
A workshop on how to develop the romantic relationship, build strong characters, and infuse the spiritual essence of God into an Inspirational romance. Everyone attending should bring the first 20 hard-copy printed pages of their manuscript and 4 highlighters - pink, blue, green and yellow. We will be working on finding the different elements in your stories, and the highlighters will help you keep track.
25. Keeping Up with the Times—Kat O’Shea
Do you type two spaces after a period? Put periods outside quotation marks? Punctuation rules have changed in recent years. Make sure your submission doesn’t look old-fashioned or outdated.
26. Who Owns this Copyright Anyway?—Paul Smith
Is it always true that what a writer writes belongs to the writer? This workshop will discuss the history of copyrights, what actually belongs to a writer, and what print rights are. It will also explore copyrights in both the printed and electronic media as they pertain to today’s writers.
27. More “No Fear” Book Publication Strategies—David Sanford
What else do you need to know to be successful? Book publishers have to say “yes” to 21 strategic questions before they’ll say “yes!” to signing a book publishing contract with you. Not all questions, however, are equal. Bottom line: The publisher has to decide “yes!” they’ll love working with you. The three doors to landing a book contract can open quickly if you find the right keys. This workshop presents the “golden keys” you need for book publishing success.
Wednesday, August 4 – 2:00-3:00
Workshop Session D
28. Writing Music and Lyrics to Glorify God—Joshua Williams
Discover how to make your writing “sing” with recording artist Joshua Williams as he guides you through the wonderful process of worship composition. Gain practical tips for creating inspiring lyrics and memorable songs for all ages. This session will explore the creative songwriting process, the art of expression, and tools for honing your craft. Whether you write for children, congregational service, solo performance, or personal worship, this course will encourage all levels to glorify God through the gift of music. www.newdayministry.org
29. Creating Realistic Speculative Fiction, Part II: World Building—Jill Williamson
What sets science fiction and fantasy stories apart is the unique world they take place in. The more time a writer spends brainstorming his or her story world, the stronger the story will be. Jill will share the process she used to create her medieval fantasy world by walking the class through her Blood of Kings series notebook. She'll talk about maps, castle floor plans, city demographics, vehicles and weapons, people and beasts, unique character names, languages, magic, and how to keep it all organized.
30. What Is a Platform and Why Do I Need One?—Bill Jensen
Discover what it takes to get noticed by a publisher and why a platform is imperative. You may be surprised at the importance of editorial content versus the marketability of the author and book. Today a well-written book is proving not to be enough. This workshop will equip you with the ideas you will need to build a platform that will get the attention of publishers.
31. Marketing Plans—Josiah Williams
Discover the M & M’s of an effective marketing and promotional campaign. In this hands-on workshop attendees create a convincing marketing message, identify their target market, and pinpoint methods that will work specifically to reach their goals. Whether you self publish or you have a contract with a royalty company, you must have a strong marketing plan.
32. Persistence Equals . . . .—Birdie Etchison
What does Persistence really mean? They say you can’t teach an old dog new tricks. Come to this workshop and discover that this statement isn’t true. Learn how to reinvent yourself. Make it happen!
Scenario One: All I get are rejections and more rejections. I’m going to give up writing. Stop! What you can do to improve your writing: make revisions, study the market, make sure the shoe fits. This takes time. Some writers want to sell like yesterday.
Scenario Two: I don’t care how many times I get rejected; I’m going to keep on.
Ways to improve your chances: How do I find the right market? Make it an ongoing study, send for sample copies and read them. This pays off.
We will discuss the importance of query letters, and discuss two recent case histories. Let’s set goals. Make lists. Let the journey begin!
33. The Mystery of Voice, What it Is, Who has One, How to Get Your Own— Sandra Bishop
Some believe Author Voice is an ethereal gift, only accessible by writers lucky enough to be born with it. This workshop demystifies that flawed belief. We’ll discuss what voice is, how to recognize a writers (and other artists’) individual voices, and how to get one of your very own.
34. How to Cut without Leaving a Scar—Ann Shorey
From newspaper articles to full-length novels, most publishers have guidelines regarding their acceptable word count for submissions. What can you do if your prose overflows the stated number of words and you can’t decide which of your golden phrases to eliminate? This workshop will help you identify easy cuts, spot hidden flaws, and as a bonus, will share a surprise “word” that runs up the counter on your computer. Ann will provide unedited manuscript pages so you can try your hand at trimming. The professionally edited versions will be available at the end of the class so you can see how your choices compare to those of the pros.
35. The Ten Most Common Reasons a Novel Is Rejected—Nick Harrison
In this workshop, Nick Harrison will discuss the most common faults he finds in the fiction manuscripts he reviews. Additionally, he’ll offer suggestions on how to make your novel more editor-friendly. There will be time and the end for a question-and-answer period.
36. Be a Great TV and Radio Guest—LouAnn Edwards
How do you land that TV or radio interview, and what do you do when you get there? Learn to pitch producers and become a guest they’ll invite back over and over. We’ll cover everything from what to say and wear, how to work with an interviewer, and how to plan for the unexpected. There will also be insider tips from media celebs from AM Northwest, Good Day Oregon, Living the Life, Good Morning America and more!
Wednesday, August 4 – 3:30-4:30
Workshop Session E
37. Writing to Comfort and Encourage—Judy Gann
Illness. Divorce. Death of a loved one. How do we write about painful topics in a way that encourages others and offers hope? In this workshop we’ll discuss mining life experiences, the difference between writing as therapy vs. comforting others, and eight tips for creating writing that offers encouragement and hope—even in the midst of life’s most difficult circumstances.
38. What’s Your Elevator Speech?—Lindsay Guzzardo
You’re alone in an elevator with the CEO of a major company. This is your shot: you have thirty seconds to sell your story—what are you going to say? Here, we’ll discuss identifying the hook of your story and paring the pitch to thirty seconds.
39. Write Your Own Treasure Chest Legacy—Helen Haidle/Joanne Valiando
Workshop includes a Scripture study to inspire participants to share their stories (including stories of parents, grandparents, etc.) with others, especially family members. If our personal experiences with God are not written down, they will be lost. This interactive workshop will build on the Word of the Lord: “Let this be recorded for a generation to come, so that a people yet to be created may praise the LORD” (Psalm 102:18). Also will highlight Storycorp's "National Day of Listening" program, which collects people's stories all over the USA. Opportunity will be provided for participants to have their personal story published. Also will receive information on how to set up writing groups to help other people record their stories.
40. Social Media—Angella Diehl
Tweet this, FaceBook that, blog some more - social media can overwhelm you or be an important tool in your writing career. If the latter is your goal, this is the workshop for you! We'll discuss the roles of viral media outlets like Twitter, FaceBook and YouTube; how to plug your website into social media; keeping social media under control, and much more. Bring your favorite note-taking tool (notebook & pen, laptop, iPad, Kindle) & get ready to post your way to success.
41. Get to the Point—Chad McComas
A workshop that helps writers discover and focus on the following about their writing:
1. The point
2. The body
3. The action desired by the reader.
The workshop will also revisit the old adage about “Less is More” when it comes to writing. We all need to be able to say more with fewer words. We will talk about crisp writing vs flowery writing.
42. Research: The Writer’s Pick and Shovel—Ellen Traylor
This class covers the basics of digging for information that will infuse your writing with color and credibility: where to look, who to contact, what to ask, and what to do with the information once you have it. Taught by bestselling historical novelist, Ellen Traylor, whose writing has taken her on many an exciting research adventure.
43. Self Publishing: Should it be your first choice?—Joshua Williams
Publishing trends today indicate that self-publishing is now more the norm than the exception. But the last thing you want is to look is “self-published.” Learn your many options and important things to avoid. Find out the answers to your publishing questions from a reliable “custom publisher" with twenty-year experience.
44. The Future of Publishing—Chip MacGregor
Everything from the creation of books to the production and selling of books seems to be going through a significant change. Writers who examine those changes will be better equipped to take advantage of the new economics of publishing. Please plan to join us as we talk about acquisitions, trends, e-books, web-based books, software for helping you create books, self-publishing options, marketing books in a digital age, and the changes coming to bookstores (and perhaps to your own writing career). We promise this will be a fun, fast-paced time with solid information to help you make choices for the future.
45. Effective Photography—Hillary Manton Lodge
Bring your camera and your laptop – or just yourself – and join us as we talk about composition, lighting, and capturing an image to illustrate your article.
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